|
Robert Sherlaw Johnson (21 May 1932 – 3 November 2000), was a British composer, pianist and music scholar. Sherlaw Johnson was one of that group of post-war British musicians whose work reflected wider European interests in new ideas, techniques and aesthetics. While his work and influence were wide-ranging, he is particularly noted for his advocacy and performance of the music of Olivier Messiaen. ==Biography== Sherlaw Johnson was born in Sunderland. He was educated at Gosforth Grammar School in Newcastle-upon-Tyne, at King's College, Durham, and at the Royal Academy of Music, London, where he was the recipient of a Charles Black award. He used this to travel to Paris, where he studied piano with Jacques Février and composition with Nadia Boulanger, and attended Olivier Messiaen’s classes at the Conservatoire de Paris. In 1971 he was awarded the degree of DMus by the University of Leeds for a doctoral thesis on Messiaen's use of birdsong and in 1984 was elected to a Fellowship of the Royal Academy of Music. He also received a DMus from Oxford in 1990 in recognition of his work as a composer. Sherlaw Johnson taught at the University of Leeds (1961-3), Bradford Girls' Grammar School (1963-5), the University of York (1965–70) and Oxford University (1970–1999), where he was music Fellow at Worcester College. In 1985 he was visiting professor of composition at the Eastman School of Music, University of Rochester. Notable composition pupils include Stephen Oliver, Charles Bodman Rae, and Robert Saxton (who succeeded Sherlaw Johnson at Worcester College). Sherlaw Johnson was to the last an enthusiastic campanologist. He died while ringing bells at the historic tower of Appleton, south-west of Oxford. He married the painter Rachael Sherlaw Johnson (née Clarke) in 1959. They had two daughters and three sons. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Robert Sherlaw Johnson」の詳細全文を読む スポンサード リンク
|